Autotuning is a studio staple nowfrom the biggest commercial studios to the humblest bedroom setup. So impressive and successful was Auto-Tune, its name is now synonymous with the pitch correction process, regardless of the program or plugin used. Coming from an ex-Exxon employee, Antares offered, for the first time, easy and powerful pitch correction that was ideally suited for fixing vocals and, as Cher demonstrated, creating vocal effects. This was perfect if you wanted to sneeze with different notes, but it was still less than ideal for vocal corrections, perhaps the most commonly desired pitch correction task. Its pitch correction range was limited, and it could level audible artifacts with even modest adjustments, but when there was no re-recording alternative, the Eventide could be a lifesaver. The released song is not a single, contiguous performance thanks to varispeed. Altering the speeds of these takes resulted in a marvellous coincidence when both takes came into the same key at compatible tempos. Variable speed controls on tape recorders thus allowed a way to alter pitch, though in a rather clumsy and inefficient way, since all content on a recording is changed equally. That is, if the motor drifted, so did the pitch of the recording. Tape requires consistent and controlled speed to maintain the musical integrity of recorded material.
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